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The number 237 is also tagged onto the end of Trixie the triceratops’ online dinosaur pal’s name, ‘Velocistar_237’, and appears as the model number of an ‘Overlook’ brand CCTV camera in the Sunnyside security office. Firstly, RM237 appears on the number plate of a dump truck, (driven by who is believed to be an older Sid, funnily enough), foreshadowing the toys’ eventual reckoning with the trash incinerator at the film’s climax. While Sid’s house had the same iconic carpets as the Overlook Hotel in Toy Story, there are Easter eggs galore here. He also inserted visual references to 237 throughout his own film. Unkrich’s fandom extends to curating a Tumblr blog dedicated to The Shiningand helping to make the recent documentary about interpretations of the film, Room 237, named for the forbidden hotel room in Kubrick’s classic. “I think on one level, it’s because it was the film that got me interested in not only filmmaking but also having a sense that there’s a singular voice controlling the imagery that’s being put on the screen.” “I’ve thought a lot about why it obsesses me, and I think it’s multi-tiered,” Unkrich told Empire Online at the time of Toy Story 3‘s release. For starters, there’s the influence of director Lee Unkrich, who was inspired to look into filmmaking when he watched his favourite horror film of all time is Stanley Kubrick’s The Shining, for the first time at the ripe old age of 12.
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But if there’s been any drastic change in the way that they rate family films, then perhaps it hasn’t been obvious because Pixar hasn’t made another film with such blatant horror movie undertones since.įor now though, we’re looking at the scary side of Toy Story 3, as evidenced in the film’s various homages and influences in horror cinema. Since then, Pixar’s Brave, Inside Out, and The Good Dinosaur have all been rated PG for ‘thematic elements’ (which seems like the equivalent of the BBFC’s ‘mild peril’ warning on this side of the pond) and/or potentially upsetting scenes. Graves went on to say that the film changed their approach to animated family films, and that they would no longer give these movies “the benefit of the doubt” in marking them as suitable for all. Speaking on industry podcast The Business, Joan Graves said that based on feedback they had received from parents since the film’s release, Toy Story 3 should have been given a PG rating “at least,” because of a climactic scene in which Woody, Buzz, and friends find themselves sinking into an incinerator like rubbish.
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In August 2010, a couple of months after Toy Story 3 was released in American theaters, the chair of the MPAA Classification and Ratings Administration admitted that they might have made a mistake in giving the film a G-rating.